22.12.08

Notes on "513 Glenroy Line"

By Beatriz C. Maturana

Photograph by Matthew Lew, bifurcaciones


Three aspects fascinated me about Carlos Alcalde’s article, "513 Glenroy Line". The first is his sharp and direct commentary about Melbourne—no Anglo affectation, not masking the shock, no acceptance of local notions of correctness. The second is the content of course, particularly in regards to the harshness of the city, the commonly accepted (and general unawareness) of extremes of monotony. The third is his deep understanding of the way in which cities work, the interconnectedness of all, people, economy, form, distribution of architectural woks and transport. This last point interests me greatly because here Alcalde places himself in the urbanist' shoes and speaks as an urbanist would do (a American urbanist, non-Anglo that is). This cross-disciplinary understanding would not surprise anyone in a European or American (non-Anglo) context, although this is highly unusual here where separation among urban professional fields is extreme—to the point of ‘silence’. This lack of convivial collaboration and conversation among urban disciplines seem to be replicated in the city—a “kingdom of commodity”, of “super-survivors”, of postcard type of imagery and then… the suburbs, as Alcalde notes.

4.12.08

Opposition to Jerusalem museum

Opposition to Jerusalem museum

An extract of the letter published by The Guardian, 15 November 2008.
The Guardian, Saturday November 15 2008 Article history



A recent judgment by Israel's supreme court will allow the construction of the Simon Wiesenthal Centre's Museum of Tolerance, designed by renowned US architect Frank Gehry, over a Muslim heritage cemetery of great historical importance in the centre of Jerusalem. It is a blow to peaceful coexistence in an already divided city.

This project, started in 2006, had been frozen due to public outcry and legal challenge, most especially from Muslim religious leaders and the Israeli Islamic movement, with the backing of Orthodox Jews concerned about disturbing graves. The site in Mamilla, near Jerusalem's Independence Park, is on disputed burial land taken over by the Israel's Land Administration in 1948, whose ownership is claimed by the Islamic authorities.

To pursue this divisive project that will include two museums, a library-education centre, a conference centre and a 500-seat performing arts theatre, would seem highly insensitive, a statement of Israel's hegemony over the Palestinians, rather than any expression of "tolerance". All the architecture in the world cannot engender harmony on the basis of trampling over people's rights and history. It is inflaming passions in an already combustible Middle East and will push any peace accord further off the horizon.

We call on the Jerusalem municipality, the Simon Wiesenthal Centre and the Israeli authorities not to allow this architectural time-bomb to proceed.
Charles Jencks, Richard MacCormack, Neave Brown, Abe Hayeem, Haifa Hammami, Hans Haenlein, Cezary Bednarski, Kate Mackintosh, Suad Amiry (Ramallah), Shmuel Groag (Jerusalem), Beatriz Maturana (Australia), Walter Hain, Ian Martin and 28 others
Architects and Planners for Justice in Palestine.

Find this article: http://www.guardian.co.uk/world/2008/nov/15/israel-and-the-palestinians


8.11.08

arch-peace news and articles: We need to challenge dominant mindsets: Interview with Beatriz Maturana

arch-peace news and articles: We need to challenge dominant mindsets: Interview with Beatriz Maturana
Interview by Dick Urban Vestbro, 'Architects Designers Planners for Social Responsibility' (Arc.Peace) and published in ARC-PEACE Newsletter No 25 January 2009 page 2-3. Interview published with Arc.Peace's consent.



15.10.08

"to what exiled country are you returning?"

Link to photographs: to what exiled country are you returning?

July 2008, Amman, Jordan, Jordan National Gallery of Fine Arts. Sculpture by Palestinian artist Ahmad Ka'nan, entitled "to what exiled country are you returning?" The keys represent the homes that Palestinians have been forced to abandon.

I was inspired to publish my photos after seeing an album by my friend Marwa Yousef's entitled AMRIK (find here). Her photos where taken in Ramallah Cultural Palace. Mine, featuring the same exhibit, where taken in Santiago Chile. AMRIK focuses on the Arab presence in America (non-Anglo). As far as I know this show has been exhibited in Palestine, Egypt, Brazil and Chile.



     Copyright © beatriz.maturana 2003-